Category Archives: Reviews
Reviews of movies, books, etc., composed with varying degrees of accuracy and care.
Dave reviews The Shack in one sentence
The Shack is what happens when a Trinity invented by a 21st-century Westerner attempts to solve the problem of evil by pontificating on relationships, disdaining authority, and baking scones.
Check out a few more helpful reviews:
- Walter Henegar: “Good fiction has the potential to illuminate biblical truth, but not when it effectively supplants it. We need the Bible, not The Shack.”
- Gerald Hiestand: “The net result is a God who rejects—indeed is repulsed by—the use of power.”
- Paul Grimmond: “If western Christianity had spent more time in ‘the shack’ with the true and living creator, and less time wallowing around in our felt needs, then, just maybe, less people would have been fooled. We might have recognized The Shack for the empty shell that it is.”
My goal is to reflect on the book a couple more times on this blog—first, to expand on Hiestand’s observation, and second, to examine why The Shack has had such a powerful effect on people.
Dave reviews…Fireproof
If you’re looking for great acting, snappy dialogue, high production values, and Shia LeBeouf…this isn’t your movie. Obviously, it isn’t going to win an Oscar.
But I really liked it.

Hey! it's steak!
It’s kind of weird watching a movie and realizing that its greatest strength isn’t the way it tells a story but rather the story it is telling. It takes a few minutes to realize that it’s a different sort of movie you’re watching. It’s kind of like the difference between eating cotton candy and chewing on a steak. Cotton candy is sugary and delicious, but it’s not the sort of thing you’d eat for dinner unless you are Will Ferrell in Elf. Steak, on the other hand, fills your hungry belly with its juicy goodness. And even if it’s not the best cut of meat…hey! it’s steak!
In this movie starring Kirk Cameron as a firefighter whose marriage is falling apart, the steak was seasoned well enough that it didn’t distract from the message. And as I watched, I appreciated how radical that message was. I mean, check out some of the things it taught about marriage:
- Love is not a feeling; it’s a choice.
- The kind of love required by a failing marriage requires you to first know the love of Christ.
- A husband should become a student of his wife, learning everything he can about her.
- You should show love to your spouse even if you are rejected over and over again.
Now when was the last time you saw anything like that in a movie? I’m convinced that any other relationship flick would seem shallow—all style and no substance—if you watched it immediately after this one. Even if it were to offer helpful advice on marriage, it could never match the wisdom from God’s Word that this movie draws on. I’ll admit I was worried that Fireproof would dumb down the gospel and the Christian worldview into a mushy mess. Instead, it showed the power and wisdom that only comes from a biblical perspective on life and marriage. Kirk’s (or rather, his character’s) conversion to Christianity was the foundation for saving his marriage, not a happy feel-good scene tacked onto the end. And the road to recovery wasn’t Candyland but rather a journey of rejection, failure, pain, and sacrifice. Kinda like real life.
Also kinda like real life, this movie thwarted the usual Hollywood convention by including both major and minor characters who didn’t look like the glamorous menagerie of celebrities that grace the covers of gossip magazines. It was weird watching a movie and realizing, Hey, this could actually happen to real people. Unlike, say, Eagle Eye.
So now, the obligatory rating. The system:
- I would pay money to see it again ($$$$).
- I would see it again if someone gave me a free ticket ($$$).
- I wouldn’t see it again even if someone gave me a free ticket ($$).
- I wouldn’t see it again even if someone paid me to go ($).
Fireproof lands my second-ever rating of $$$$ (four dollars). Solid! I hereby forgive Kirk Cameron for starring in the Left Behind movies.
Dave reviews…Eagle Eye
We’re such homers.

"I have always been a wand'rer / Over land and sea"
So I was watching Eagle Eye in a theater here in Lafayette along with some friends, and about halfway through the movie, our hero and heroine were ordered to drive to Indianapolis. The reaction in the theater was immediate—all sorts of nudges and murmurs of approval from the audience. Indianapolis! That’s here in Indiana! We haven’t had a movie take place in Indiana since Hoosiers! And Eagle Eye didn’t disappoint, spending a great deal of time in Indy, even in locations that I recognized. It was kind of neat to see Hollywood acknowledge that there are other cities in the US of A besides New York, Los Angeles, and Washington, D.C. Now if only the news media would get the memo, life would be grand.

Good thing this isn't Nebraska, or he'd be out of cell phone range.
In addition to the bonus points this movie scored for its nod to flyover country, it was also a pretty fun film, as long as you recognize that its premise is totally ridiculous. The plot revolves around Shia LaBeouf (whose name I still can’t prounounce) and Michelle Monaghan, two ordinary people getting ordered around by a mysterious woman who can track their every move through cell phones, surveillance cameras, and other sinister electronic devices. Of course, we all know that even the CIA is made up of a bunch of cubicles with hopeless old pawn-shop computers, so no one could actually do this. And when the perpetrator is eventually unveiled, it is laughably implausible. But if you’re looking for a realistic flick, why are you going to a movie theater? Hollywood movies have never been realistic. I mean, what are the odds that all the people in a real-life romance will be as good-looking as in that chick flick you saw last week? Most people, including yours truly, are ugly. So I figure that if we can suspend our disbelief in that area, as we have done for decades, we can simply turn off our brains and enjoy Eagle Eye. (Note that this doesn’t apply to a movie that flagrantly violates the laws of physics and expects us not to notice.)
Also, Steven Spielberg is such a softie and can’t seem to let movies of this sort end on a tragic note, even when it makes total sense for them to end that way. If you’ve watched this movie, you know exactly what I mean.
One final complaint I have is that the director seemed to love close-up shots, which are great during dramatic dialogue scenes but not so great in the middle of a giant action sequence when I’m less interested in seeing Shia’s facial stubble and more interested in seeing what the heck is going on. But hey, I only paid the matinee price for a ticket, so I won’t complain too much.
Rating time! The system:
- I would pay money to see it again ($$$$).
- I would see it again if someone gave me a free ticket ($$$).
- I wouldn’t see it again even if someone gave me a free ticket ($$).
- I wouldn’t see it again even if someone paid me to go ($).
Eagle Eye lands $$$ (three dollars). Make it two dollars and change if you’re not from Indiana.
Dave reviews…Journey to the Center of the Earth 3D
This will probably be my last movie review in a while. I’d like to get back to writing something more substantive, and also most of the good movies this year have already come out.
But to begin with, I’ve put together one of those clever “stereoscopic” pictures—you know, the ones where you have to look “past” the two pictures until they overlap, forming a 3D image. Check it out!

Brendan Fraser awkwardly stars as a nerdy geologist.
I’m sorry, what was that? You’ve tried squinting at the darn thing for five minutes, and it still looks flat?
Well, that’s on purpose. You see, the whole movie is flat. Brendan Fraser is flat. The characters are flat, the acting is flat, the plot is flat. Even though it’s in 3D. (What a genius observation, ha ha!) Really, this is just a gimmick movie where that magical third dimension is the only justification for seeing the film. The problem is, those 3D glasses kinda gave me a headache. Or maybe it was the movie itself.
So here’s my usual rating system:
- I would pay money to see it again ($$$$).
- I would see it again if someone gave me a free ticket ($$$).
- I wouldn’t see it again even if someone gave me a free ticket ($$).
- I wouldn’t see it again even if someone paid me to go ($).
Journey to the Center of the Earth 3D lands $¢ (one dollar and change). So far, that’s my lowest rating ever, but I haven’t rated that many movies. Rest assured, if they release another live-action 101 Dalmations sequel, and I am physically dragged into the theater and duct taped to the seat with my eyes glued open, we would be plumbing the depths of this rating system.

